COADA

Pareidolia.
Still from Tokyo Story (1953), directed by Yasujirō Ozu. Here, beautiful Noriko (Setsuko Hara) encapsulates the mood of the film.

Still from Tokyo Story (1953), directed by Yasujirō Ozu.
Here, beautiful Noriko (Setsuko Hara) encapsulates the mood of the film.

My plasterheads contemplating the future. 

My plasterheads contemplating the future. 

Papier-mâché mask under construction. 

Papier-mâché mask under construction. 

WIDOWER

These are stills from a film I worked on in NYC with the hugely talented guys from RodantiBrosFilms. I was the art department and set designer, and made a full-size papier-mâché human mummy. Good times. It’s creepy, it’s surreal, it’s a little nonsensical. And based very loosely on a true story. Go on, check it out: 

http://vimeo.com/15127588

Mindless.

Mindless.

Stream-of-consciousness aphorisms aplenty here in Fellini’s 8 1/2 (1963).

Stream-of-consciousness aphorisms aplenty here in Fellini’s 8 1/2 (1963).

A common occurrence. From Wim Wenders’ Wings of Desire (1987). 

A common occurrence. From Wim Wenders’ Wings of Desire (1987). 

Hysterically dramatic puppetry in Being John Malkovich (1999).

Hysterically dramatic puppetry in Being John Malkovich (1999).

Happy Valentine’s from Jim Jarmusch’s Mystery Train (1989).
Speaking of Screaming Jay Hawkins, I just listened to every possessive love creep’s ultimate torch song. It’s where I’m at right now: 
http://www.youtube.com/watch?v=orNpH6iyokI

Happy Valentine’s from Jim Jarmusch’s Mystery Train (1989).

Speaking of Screaming Jay Hawkins, I just listened to every possessive love creep’s ultimate torch song. It’s where I’m at right now: 

http://www.youtube.com/watch?v=orNpH6iyokI

Garfield helps lift the mood in Chungking Express (1994), directed by Wong Kar-Wai with brilliant cinematography by Christopher Doyle and Lau Wai-Keung. 

Garfield helps lift the mood in Chungking Express (1994), directed by Wong Kar-Wai with brilliant cinematography by Christopher Doyle and Lau Wai-Keung. 

Another self-explanatory image from Jan Švankmajer’s Faust (1994). 

Another self-explanatory image from Jan Švankmajer’s Faust (1994).